![]() ![]() Arrangers and non-pianists can also benefit from knowing these chords. Play C - skip D - play E - skip F - play G - skip A - play B. So the chord is a stack of 3rds - it plays every other note from the scale: E.g. ![]() A '7th chord' is a normal major or minor triad (C E G) with a 7th added on top (B). There are (at least) five basic tetrads: Major 7, dominant 7, minor 7, minor 7 flat 5, and. Most chords you see in your real book will be 7th chords - they have a ‘7’ on the end of them. There are four basic triads: major, minor, diminished, and augmented. Band directors could also give these handouts as a reference to their jazz pianists to help them learn to voice chords. The basic chords are the triads and tetrads that can be formed by stacking different combinations of major and minor thirds. For instance, a jazz pianist in a jazz band or jazz combo could keep these two handouts with the rest of their music for when they need to figure out how to voice a chord. In reality, you should know more than 1-2 voicings for each chord, but this handout is a solid reference for jazz pianists in need of some good voicings. Those left-hand voicings are useful when the pianist is 1) soloing with their right hand, 2) playing the melody, or when they are 3) playing bass lines in their left hand (like a jazz organist). The first handout is the Encyclopedia of Two-Hand Voicing. This handout is the second in a two-part series of reference voicings for the jazz pianist. This is an short “encyclopedia” with 1-2 voicings for most of the chords jazz pianists are likely to encounter. Two-Hand piano voicings are essential for jazz pianists when comping behind melodists and soloists. ![]()
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